Dear Prudence,

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I liked high school, it was such a romantic reason for misery


I want someone to write poetry on my back and lyrics on my thighs and couplets on my cheeks and secrets on my palms

(via timedreamerdaytraveler)

The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

(Source: ozhin, via shoulderblades)

New York City:
Pretty white girls rolling joints on the sidewalk (they have nothing to hide from).

i love lindsey wixson but she is styled in such questionable ways